Concept
Three concrete blocks, each one sealed around an object: each object individually hold latent potential for further life.
Nothing inside is visible. The blocks refuse the partial exposure common in concrete art — no suggestive surface, no window, no reveal.
The viewer knows or suspects something is there. They are not rewarded with a look.
Sealed Objects
An oyster, a 星球杯, and fragments of a previous concrete casting.
Origin
The work begins with waste that has already happened.
None of the objects were sourced for the project — they arrived already finished, already discarded.
Casting them doesn't reassign their value. It suspends it permanently.
Sealed Objects
An oyster, a 星球杯, and fragments of a previous concrete casting.
Visual Refusal
Most concrete art uses the material to reveal. Aftermarket uses it to seal.
The concrete is not a frame or a showcase — it is a monument with no audience for its contents.
Preservation without display / permanence without purpose.
Interiors of Sealed Objects
Imagine an oyster, a 星球杯, and fragments of a previous concrete casting within set concrete.
